The Theme is Green: Superhero News

A nice chunk of superhero news has come out of the wood-works, and the Vault has it for you here in a nice neat post. First off, The Green Hornet, the project I fear will never die, has had a new director assigned to it by the name of Michel Gondry. Also a screenwriter, Gondry has only directed a handful of films that have been released in theatre, but he does have Eternal Sunshine of the Spotless Mind under his belt, not only directing but winning an Oscar for writing the Original Screenplay as well. Eternal Sunshine is also one of the 400 movies nominated for the top 100 films of all time; that being said, Gondry also directed Be Kind, Rewind, a film starring Jack Black that was released last year. Given the lesser quality of that movie, it's easy to worry that Gondry may be a one-hit wonder who will fail to deliver. Readers will know that I have been fairly unsupportive of this project for a while now and the directing choice has done nothing to assuage any of my fears.

Keeping on the "green" bent of the post, a currently untitled Green Lantern film has had its release date set for December 17, 2010. Considering that the only solid info on the film is the writers, the basic plot (possible spoilers in link), and a rumored director (Martin Campbell of Casino Royal), this date may be optomistic. No names have yet been announced as to who will play the Green Lantern, a superhero with a power ring given to him by a dying alien.

And for some interesting musings on superhero films, turn to Joss Whedon, of Buffy the Vampire Slayer fame, who speculates on why DC superhero movies fail to connect with audiences. Whedon may have some insight, especially given the fact that he has penned two different scripts for a potential Wonder Woman movie, neither of which were given the green light to proceed to production. The basic difference, Whedon argues, between Marvel and DC is the difference between ordinary people and gods. Whedon has a point. DC superheros tend to be much more epic, much more invincible then Marvel characters. How do you make Superman, the alien who is virtually indestrucible, relatable to us average mortals? Even Batman has a bit of mystique about him, being a billionaire who can afford or create any gadget he'd like.

Marvel characters, on the other hand, tend to be average joes who are just trying to make ends meet while saving the world in their spare time. Spider-man and X-men run along this vein. Of course, neat categories never work out; Tony Stark in Iron Man also fits the billionaire prototype; and what could be more god-like then an actual god, embodied in Thor? And Marvel superhero films are not infalliable: see Nicholas Cage in Ghost Rider if you have any doubts, or Jennifer Garner in Elektra. Still, Whedon may be on to something, as Marvel has been turning out one superhero movie after another these last few years, while DC has been much slower to the get-go.

Two Films Derail, One Makes it Back to the Tracks

As film festival dust subsides, Hollywood websites are starting to turn their eyes back to projects closer to home. At the moment, there's some notable wreckage in the water, in the form of Seth Rogen's The Green Hornet picture. Splash Page has extensive coverage of the saga behind the movie, which looked like it was going to come together after years of being in the works, when it suddenly all fell apart. I for one, am somewhat relieved. Although I am somewhat of a novice when it comes to the original television show, I've seen enough it to know that Rogen's take on the film probably would have done it a great injustice. His previous work on film's like Pineapple Express and Superbad make me feel that it would have quickly degenerated into a comedic farce full of slapstick humor and bad jokes. The fact that "creative differences" lost the film its director, kung-fu star Stephen Chow, indicates to me that he wanted to take a more serious tact on the storyline. Whether the real story will come out over the next few days will be interesting to see.

Astro Boy was very nearly in the same straits as The Green Hornet, though because of financial problems rather than directorial problems. The three-dimensional animation adaptation of a Japanese anime that follows the quest of a robot trying to understand how to be human ran into financial difficulties when money that was supposed to be covering it through February never "materialized," forcing the studio to close operations until the money showed up. Executives behind the film are all assurances that the problem was minor and temporary and that the film is still a go for its fall 2009 release date.